Modern style: rigorous, elegant and prestigious

Modern style: rigorous, elegant and prestigious

The modern style links the vision of interior design to architecture, in a relationship of mutual collaboration. Between rigorous furnishings, bright rooms and a prestigious appearance, the modern-style interiors express timeless elegance.

The modern style in history: the masters of design

To fully understand the modern style, it is useful to take a few steps back in time to its historical origins.
We are between the two World Wars in a context of renewal that involves the formal plan of architecture, but also urban planning and design.

Under the classification of Modern Movement, also known as International Style, belong the currents De Stijl, Bauhaus, Constructivism and Italian Rationalism.
The main exponents are architects of the caliber of Le Corbusier, Frank Lloyd Wright, Mies Van Der Rohe, Alvar Aalto and Walter Gropius.

Starting from a strong conception of architecture as an organic structure in relation to the external context to which it belongs, the Modern Movement also sees the house for its social use and not just as a family unit. Frank Lloyd Wright with his organic architecture gives excellent examples.
Among these, the Waterfall House, designed in its architectural conformation in strong relationship with the surrounding geological and natural context. Each element is configured both on the architectural level and on the interior design level based on a strong contamination between inside and outside. In doing this, the choice of proportions based on the human figure is fundamental.

Natural materials combined with organic shapes that favor horizontality, but also harmony and brightness become the key principles of the Modern Movement. Instead, the priority need is to achieve the best functionality of the building, which can also determine its aesthetic beauty.
In doing this, the house frees itself from the unitary vision to which it was accustomed to take on a social meaning in relation to the surrounding buildings.
The extreme example is the building that itself becomes a city, as in the case of Le Corbusier’s Unitè d’Habitation.

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Eileen Gray’s E-1027 House, a modern style living room with iconic piece of furniture.

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Left: modern style living area (Photo: Andrew Pielage, Frank Lloyd Wright Foundation)
Right: Fallinwater House by Frank Lloyd Wright (Photo: courtesy of the Western Pennsylvania Conservancy)

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Villa Savoye by le Corbusier. The relationship between inside and outside is expressed in bright rooms and ribbon windows

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Unitè D’Habitation, Le Corbusier. The building becomes a social community by offering, in addition to the family housing units, all the services necessary for individual life.

Modern style furniture: the strong relationship with architecture

The modern-style interiors both in the course of history and in the contemporary context are based on a strong relationship with the architectural context in which they are inserted.
This is how bright environments are created. Here, the exterior constantly communicates with the interior through functional choices that also justify the aesthetics.
Therefore, windows can take on a more elongated shape and it occupy a higher position than the standard ones. This allows the entry of natural light, which will obviously be studied according to the optimal orientation of the house, but at the same time allow the inhabitants not to be seen from the outside.

The subdivision of the rooms between the sleeping and living areas is based on a logic that considers the orientation of the house and its visibility or protection from external factors.
The hearth is definitely a central point in the design of a modern style home.
A place of aggregation and socializing, it expresses hospitality and intimacy at the same time, creating a strong suggestive interior.
For this reason, in modern homes par excellence it occupies the central position with respect to the living area, becoming the fulcrum for the arrangement of the remaining rooms.

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The living area of ​​this modern style attic with the iconic chaise longue designed by Le Corbusier

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Modern style kitchen and living room with reflective materials and simple lines for this Modulor creation

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A modern living area on the bottom of which an elegant wall with a three-dimensional effect is identified

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The equipped corridors of this Modulor realization express their modernity in the choice of material.
Soft and textured to the touch and extremely elegant to the eye.

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Una cucina moderna firmata Modulor con particolare attenzione alla scelta cromatica e materica

Shapes, colors and materials between past and present

The choice of materials in a modern style also comes from the contamination between inside and outside.
Great importance is given to materials capable of enhancing the brightness of environments through their reflective and brilliant surface, even better if of natural origin.

Wood knows its maximum expression both in the traditional form of the Modern Movement and in its contemporary conception.
Chosen for its malleability and natural aesthetics, it brings the exterior directly into the home interior, also molding itself into irregular shapes. Over the years, it has also known the polishing treatments and the recent painting that make it possible to obtain reflective surfaces capable of giving brightness to the environment.

Neutral tones are favored, starting with the classic white, but colored variants are also welcome especially in the current years. In this sense, it is important to underline how the contemporary trend in the modern style prefers monochromatic colors and tone-on-tone games that opt ​​for desaturated colors.
Prestigious and elegant interiors that do not, however, give up a touch of color capable of giving character to the rooms.

The design forms abandon their rigidity and linearity in favor of simple but sometimes irregular solutions. To enrich a modern style home, the icons of Modern design cannot be missing. Here then are seats with leather padding and chromed aluminum structure with slender lines.

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Materials, finishes and aesthetics of the modern style, including upholstery in warm-colored leather and chromed aluminum

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The attention to detail of this wall is expressed in an elegant and monochromatic three-dimensional surface inserted in a prestigious Milanese apartment.
Inside there is a door identifiable by the handle with soft modern shapes.

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In the modern style of recent years, the great icons of design are often inserted in environments that are more daring, not only with neutral colors but also desaturated colors with a timeless beauty

The rediscovery of modern style

In recent years the modern style has undergone a great revaluation. The soft but rigorous shapes of the design icons of the Thirties are back in vogue in a contemporary reinterpretation proposed by the main brands.

Just think of the Five To Nine dormeuse proposal, born from the Studiopepe project for Tacchini (2020) or the Camaleonda modular sofa designed by Mario Bellini for B&B Italia (2020). But also, the new Pacific (project by Patricia Urquiola for Moroso) and Soriana (design by Tobie and Afra Bianchin Scarpa for Cassina) both launched on the market during Digital Design Week 2021.

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Soriana, Tobia Scarpa and Afra Bianchin Scarpa, Cassina, 2021
Five to Nine, Studiopepe, Tacchini, 2020

With its rigorous and prestigious interiors, the modern style is aimed directly at personalities who love architecture and its relationship with nature. Characterized by a timeless beauty, it is aimed at rigorous characters but at the same time open to new changes.

Giving new life to furniture: adapting them after a move

Giving new life to furniture: adapting them after a move

Facing a move means turning your life around, renovating your home and introducing new furnishing accessories.
Beginning to pack, you make a natural selection of the objects to take with you, recognizing for each their own emotional value.
Many times, this process also involves the world of furnishings, which accompany the owners in this moment of transition.
Giving new life to furniture also means renewing the context in which they are inserted, managing to adapt them in terms of aesthetics and functionality to the new environments.

Adapting furnishing to a new context

When the furnishings are custom designed, their conformation responds to the needs of the customers, perfectly matching with the architectural context in which they are inserted. In doing this, a strong link is born between the rooms in which they are inserted and the shapes, proportions and mechanisms of use of the furnishings.
This would suggest an indissoluble bond between the two components, which would break when the furniture undergoes a relocation.
It is absolutely not said!

In fact, among the potential of custom-made furniture there is a flexibility factor that allows us to give new life to furniture by making few changes.
These make it possible to transform the general imprint of the furniture in order to adapt it to the new context both in terms of aesthetics and functionality.

A perfect example are the adaptations made to these furnishing extrapolated from an apartment between classic and contemporary. Let’s discovery this apartment among transformed furniture and new additions.

The kitchen: increases the work space and storage volumes

The kitchen certainly represents the beating heart of a home.
In the case of this apartment between modern and contemporary, its conformation was born from a natural reading of the architectural context in which it was inserted.

The corner development made it possible to exploit the side part with service columns with anthracite gray lacquered MDF doors.
These are equipped with column ovens on the right, pantry with removable trays and a central compartment for the free-standing refrigerator. The front is made up of lower volumes with large drawers and service doors and upper wall units in a brilliant white Lacobel.

The new arrangement has provided additional useful space for the overall dimensions. Being able to use additional space on both sides, the most natural solution was to exploit the remaining gaps with additional volumes.
On the right, we provide a service column which houses a modern wine cellar accompanied by a door with height-adjustable internal shelves.

On the opposite end, the main problem arises when the worktop is made of natural stone, which has undergone a chromatic change over the years.
To avoid incurring a visible difference between the added part and the existing one, a wooden top was thus created. It also acts as a cutting board for preparing meals. An element that not only solves an aesthetically weak point, but also provides a functional solution.

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The living area: a new contemporary aesthetic

To equip the living area, we recovered the furniture made in 2006.
The choice of colors was already avant-garde at the time. Even in a contemporary reworking they can adapt perfectly, resulting elegant and current. The TV cabinet in glossy anthracite gray lacquered MDF alternates flap doors with service drawers, whose recessed handles give visual lightness.

In this case, giving new life to furniture means adapting them to the new context in which they are inserted, managing to exploit the flexibility of the same.
Small changes have been made, mostly considered maintenance. Re-lacquering where necessary or remaking of structural parts.

The same approach was then applied to the service hanging columns, which are made up of doors in the upper part and small drawers in the lower part. Their new position side by side allows them to welcome guests introducing them to the living area and, at the same time, create a visual divider from the more intimate dining room.

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Children’s bedrooms: new tailor-made solutions to exploit architectural voids

The sleeping area houses the two small bedrooms whose conformation alternates architectural voids with important structural elements.
A tailor-made solution was therefore designed in both rooms in order to include all the necessary furnishings without sacrificing practicality and visual freedom.

For the first bedroom it was therefore decided to take advantage of the basement that leads to the mezzanine area to equip it with a shaped wardrobe.
Since the room is intended for a child, the dimensions and heights necessary for the clothes have certainly facilitated the design. Despite having little space available, taking advantage of the inclined height of the basement, it was still possible to create a double-height wardrobe with alternating shelves with fixed hangers.
The wardrobe is accompanied by a standing alone chest of drawers which is also used as a support surface.
The large one and a half bed is inserted in a niche. The latter used in the depth to fix shelves with hidden lighting.

In the second small room, the depth of the niche is useful for a certainly wider wardrobe. Full-height doors with push opening accommodate fixed tubulars, drawers for linen and shelves for folded items to satisfy the needs of a young girl.

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The master bedroom: a wardrobe like new

The master bedroom is best equipped with a large wardrobe with sliding doors placed parallel to the bed.
Its linear aesthetic combined with spot ceiling lighting allows at the same time to hide its grandeur.
The result is a capacious and functional volume which, in the aesthetic impact of the room, tends to disappear while giving character and elegance.
Relocated from the old house, the different internal height has led to a reduction in height which has thus made it possible to better adapt to new environments.

The composition of the wardrobe comes from a natural division into three departments, corresponding to the division of the sliding doors.
On the outside, the double-height hanger houses removable glass shelves in the center. These are particularly suitable for storing folded shirts using the external sliding mechanism to reduce the internal height between the trays.
In the central compartment, the large linen drawers are accompanied by a pair of shelves for folded items and hangers in the upper part.
The left compartment instead houses a double hanger to accommodate long dresses and coats whose greater height compensates for the reduced space reserved for folded trousers and skirts.

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Giving new life to furniture does not only mean rejuvenating it and making changes to its aesthetics. The bespoke design allows you to create furnishings that are versatile and able to adapt to new environments. Restoring a balance between aesthetic conformation in relation to the room and functional needs becomes the main goal.

If you want to deepen the theme of furniture flexibility, we suggest you this article in which series furniture and tailor-made solutions help each other!

Contemporary Pop Style: young and bright environments

Contemporary Pop Style: young and bright environments

From Pop Art to interior design in its historical and contemporary meaning, the Pop style is characterized by dynamic and fresh interiors. Iconic objects, saturated and bright colors define fresh and youthful environments that are always current.

Giving a sparkling touch to the Pop-style home is quick and easy… let’s see how!

Pop interiors

example of a room in a pop style, with a strong color point and geometric references in black and white.

The origin of Pop Art

The style of furniture that we know as Pop and its contemporary meaning derive from the artistic movement developed in the United States. Born in the second half of the fifties, it knows its best period of development in the subsequent sixties and seventies.

These are the years of the economic boom and the rise of unbridled consumerism as a consequence of an ever greater economic well-being of society.

The name pop art is the abbreviation for “popular art”, which emphasizes the strong relationship between the new artistic current and “popular” objects. The goal of Pop Art is precisely to stage the consumer society by adopting an almost ironic meaning.

Desecrating the courtly conception of art by comparing it to objects extrapolated directly from mass society. In doing this, the expressive language used directly takes up the same expressive forms of the consumer society. The result is a vision of the artistic work perceived as a commercial product.

Advertising, television, cinema and supermarket shelves, the new temples of consumerism, become the subjects of works of art. Among these, Warhol’s famous Campbell sauce cans, whose graphic design is taken directly from the advertising prints of the time.

The bright colors and their full shades are taken up by the heroes of cinema and entertainment reproduced in cartoons, comics and serigraphs. After the resilience of war and the vision of a world in black and white, the colors of the new well-being invade society, rapidly changing its values.

Warhol, Lichtenstein and the other pop art artists tell this revolution through the symbols of the consumer society. The provocation itself becomes a force of consumerism, like a frame from which it is impossible to get out.

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The expressive language of Pop Art between serigraphs and cartoons: Roy Lichtenstein and Keith Haring are among the best known exponents

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Claes Oldenburg and Coosje van Bruggen, Ago e Filo, Milan

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Andy Wahrol is definitely the Pop Art artist par excellence, with his illustrations of the Camper Souce and the reproductions of the face of Marilyn Monroe

Design icons

The improvement of the company’s economic conditions allows the purchase of products that are not only functional but also purely aesthetic. The design of furniture and home interiors adapts accordingly by changing shapes, materials and values.

Precisely for this reason, in those years, Industrial Design, intended as a serial production of elements, had the apex of its development. The increasingly conspicuous demand of the company satisfies the manufacturing industry which responds with new, impactful and original objects.

The designers of the time best express their creativity by experimenting with new materials. Experimenting with alternative manufacturing techniques also allows them to shape the material to better convey the design idea. The many icons of Design, especially Italian, that still crowd the collective imagination date back to those years.

These also become the characterizing element of the interiors, giving them an eternal and whimsical character. Some examples are the Vitra chairs designed by Verner Panton, the Ball Chair by Eero Aarnio, the trolleys by Joe Colombo and all the products of a nascent Kartell.

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Paradisiartificiali Studio, Tribute to Ettore Sottsass, Milan

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Plastic and plexiglass are appreciated for their ductility and material expressiveness in the Pop style. The design icons are characterized by bright colors and soft shapes.

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Here are some icons of Design: Zanotta’s Sacco armchair, Joe Colombo’s Boby trolleys and Kartell modular units revisited in a modern key with new pastel colors and innovative textures.

Pop Art in house interiors

For a Pop Art style décor, the first to lead the chorus are the bright and lively colors. Especially chosen in their saturated and bright colors, they completely exclude the use of shades in favor of full colors. The importance of visual coherence between the different rooms of the house is reflected precisely in the use of well-balanced colored hues.

The furniture inside the rooms does not exceed in number but rather stand out for the fluidity of the shapes and the chromatic choice. The choice to place iconic design objects is appreciable. Pieces of furniture that have marked history.

Compared to the Boho style, this choice of antiques, however, is not aimed at abundance but is limited to a few significant pieces. One of the most famous examples is the Mouth-shaped sofa by Gufram, inspired by Marilyn’s lips. Its strong visual impact and its iconicity make it the protagonist of the rooms to the point of being enough to define the stylistic imprint of the entire room.

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A bedroom inspired by the design of the Memphis group designed by Jannat Vasi. On the right: a Pop-style living area amidst colorful furnishings and minimal graphics

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Carpets, fabrics, stylistic shapes and chronatic choices respond to a balanced overall vision in the Pop style.

The Pop style is recognized for the choice of plastic materials and resins, which exploded in use and experimentation in those years. The flexibility and ductility of these materials allow the designers to have the maximum artistic expression, managing to produce series furniture with original and fluid shapes.

To these is added the plexiglass, appreciated for its transparency that assimilates it to the noblest glass, but extremely resistant. To enrich the Pop-style interiors, paintings and decorations whose graphics are directly inspired by the world of comics and screen printing.

These stand out among colored walls, sometimes covered with wallpaper with graphics characterized by abstract and hypnotic lines, also used in the choice of carpets.

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Minimalist graphics and furnishings with bizarre shapes, including colors and products of the Pop style

The pop style according to Modulor: the contemporary variant

The grit and character of the Pop style is certainly appreciable for dynamic interiors and young personalities. Its highly characterizing expressive charge applied to contemporary interiors sometimes risks creating environments that, when experienced daily, tend to “tire”.

For this reason, the variant in our projects always tends to contain the Pop imprint of some elements within the home furnishings. Few elements that, in terms of shapes and colors, lead back to the freshness and creativity of this style, but blend perfectly with neutral and contemporary interiors.

Combined with the brightness of white furnishings and environments, they are also able to further enhance themselves, becoming stylistic icons of home furnishings.

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A Modulor creation on a project by Studio MILO in a contemporary style with refined Pop details: from the choice of the paintings, to the precious carpets by CC-Tapis passing through the living area in perfect Pop style

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A few details in chromatic uniformity are enough to give grit and character to an interior: walls and furnishings of this creation give a decisive touch while remaining balanced overall

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Our project of Omelette table with rotating yolk flanked by red Pantone chairs and a kitchen in black and white.

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A brightly colored Smeg refrigerator and an artfully crafted table complement a linear kitchen in this splendid Bergamasco Loft.

The Pop style in its traditional and contemporary meanings responds perfectly to strong charisms. A little eccentric and certainly very creative personalities, who do not, however, give up balance and stylistic elegance. Far from being chaotic, the well-balanced Pop style instead expresses a stylistic and conceptual refinement, as well as a passion for visual art forms.

Digital Design Week 2021: our selection and thoughts

Digital Design Week 2021: our selection and thoughts

The 2021 edition of Digital Design Week has just ended on digital platforms, with the hope of seeing taken the traditional version on place in September.

The Salone del Mobile makes Milan the undisputed protagonist in the world of contemporary design, turning the spotlight on new projects, cutting-edge proposals and events capable of enhancing Italian “know-how” but also its international contamination.

We at Modulor also remotely participated in the rich schedule of talks and webinars offered on the main digital platforms … here are some of our thoughts!

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Outfitting of Fuorisalone during its 2019th edition: on the left the installation “Home sweet home” by Missoni in Via Solferino. On the right Nendo in “Breeze of light”

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Time Machine, the installation durinf Fuorisalone 2017 in the new design district of Ventura Centrale

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Time is time, an immersive environmet setted in the Superstudio’s place during the 2016 Design Week, focused on the theme of time

Salone del Mobile and Fuorisalone: ​​Milan the capital of design

It seems centuries have passed since Milan, in the central weeks of April, was filled with international tourists, young emerging designers, professionals hunting for innovative proposals and university students eager for events and new product launches.
From the design enthusiast, to the sector’s professional, to the simple citizen who loves social life: the week of the Salone del Mobile has always managed to capture everyone’s interests.

One of the few events able to involve such a large audience as to transform Milan into a great “design community”.
Impossible to walk along the streets of the county seat during those days and not be involved in the beating heart of the Design Week.
Colorful graphics that identify the various districts, art installations and advertising banners with pieces of furniture just launched on the market reach every corner of the city.

The professional variant of the Salone del Mobile, in the huge spaces of Rho Fiera and even more its Fuorisalone organized in ever-changing design areas now seem an old memory. Two realities that over the years have known such success that they have become distinct entities, each with its own target audience.

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Fuorisalone, the design districts map of the 2019 edition.
On the right, the official logo of Salone del Mobile.

Digital Design Week: what is it and what changes does it make to the traditional version?

The cancellation of last year due to the health emergency and its uncertain future also for the 2021 version did not, however, stop the creativity of Design Week. The 2020 edition of the Design Week had already moved to digital channels, meeting the approval and involvement of both the realities that make it up.
Salone del Mobile and Fuorisalone never as today find themselves in dialogue with each other to create a rich schedule of events.
Talks, webinars and reflections on what it means making design nowadays and on the various facets of this world. The stringent safety restrictions have also completely revolutionized the methodology for presenting new products. Physical presence is now too restrictive a possibility, so naturally the attention shifts to the digital world. In order not to stop the great design machine, the realities that have always accompanied the traditional edition of Milan Design Week have organized a digital version. Digital Design Week 2021 took place on the web platforms of Interni (historic magazine associated with the week of the Salone), Fuorisalone and Ad Italia. From 12th to 19th of April, a series of talks involving professional figures took place. From the world of furniture, to architecture, but also literature, technology, art and craftsmanship, opinions and reflections are exchanged on the contemporary themes that drive design. Furthermore, in the specific case of Interni, its version continued until 23th April, with a fixed evening appointment scheduled for 6.30 pm in streaming.

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A Marco Spinelli quote, shared on social pages of AD Italy that underlines the importance of “custom-made”. 
On the right: San Siro seat, designed by Jasper Morrison for Cappellini and launched during the Digital Design Week 2021

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Aldford table by Bentley Home – Luxury Living Group disegned by LLG Creative Team

Smartworking and a new perception of the domestic environment

Undoubtedly a contemporary theme during this Digital Design Week was the introduction of the concept of smartworking and the new domesticity.
We at Modulor have already addressed this issue, also bringing design examples from the previous months.

In this regard, the interpretation proposed by Lara Facchinetti, HR Manager of Zamperla, in the “Study” chapter of the laboratory proposed by Strategy Innovation is interesting. The theme of reflection shifts to the hybridization between work from home and office life, noting how the best working condition derives from the integration of both.
If before the working world and the private sphere were very distinct areas of our daily life, now it often happens during an online conference to witness small “intrusions”. Children intrigued by the screen and pets who have run away from their places become actors of a connection that is not only conceptual, but also physical and visual. With this in mind, the best productivity is achieved by being able to take advantage of both work contexts.
The home is identified as the environment of concentration, where one can isolate oneself from colleagues, and the office is instead an environment of sharing.

What is missing during smartworking are in fact the impromptu meetings and the brainstorming process that spontaneously arise during a coffee break.
Linked to the new needs of spatial reconfiguration, as also confirmed by our experience, the change in the perception of the working space opens in parallel.

In this regard, it is interesting to report the point of view of Marco Roversi, colleague specialized in the design of custom-made furnishings in the contract sector. In fact, if the reconfiguration of the home environment is often restrictive, and bound to changes that are not too intrusive, the workspace undergoes a radical change. It is rethought in its basic setting, making flexibility its founding feature.

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Funivia, sunspended lighting design by  Carlotta Bevilacqua for Artmide 

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6x6the modular system for office designed by Roversi

The reinterpretation of system engineering components

The continuous search for flexibility in the working place brings the contract further closer to the world of retail, used to constant changes.
The design of the architectural component then becomes a fundamental point to guarantee infinite spatial configurations.
As in the case of white boxes for the retail world, the system engineering component is reinterpreted now more than ever for its aesthetic impact.

A great example is certainly the design thinking of Davide Groppi during the talk “Living the work space” proposed by Lombardini22. The vision of the internationally renowned designer is precisely linked to the flexibility of light, which is released from the electrical system to which it belongs.
The solutions proposed over the years by the designer himself have always been designed with the desire to make light free from pre-existing plant constraints.
Providing the right light does not only mean allowing you to see the space but also to feel it.
A setting that becomes more and more scenographic with a design work that becomes a work of elegance.

The second example is the series of projects brought by architect Duccio Grassi during the talk Design beyond Matter.
A relationship between the architectural and system design components that goes beyond the level of necessity to become a project integration with the aesthetic vision.

Another issue connected to the relationship between structural needs and project flexibility is that of the exploitation of interstices, the so-called architecture in between. We have recently analyzed the potential of designing functional furniture capable of optimizing spaces and therefore we fully share the reflections of Daniele Lago, founder of the well-known mass-production furniture company.
The in-between is not only a domestic environment design issue but also a metaphor for the relationship between the brand and its community.

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Infinito, Davide Groppi

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Zara Rome, Duccio Grassi Architects.
Engeneering system and outfitting matches in a design element which disappear in the environment.

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Max Mara Tokyo Ginza Home, Duccio Grassi Architects

Sustainability and environmental impact: visions related to design

Perhaps one of the most inflated issues in recent years is certainly linked to sustainability and environmental impact.
Countless could be the visions and projects that make it the flag carrier.
From the world of design, the theme of the circular economy directly moves to the productive world, finding infinite results.

But what does it actually mean to be sustainable today?
Producing using recycled material is not always the ultimate solution. In fact, it is necessary to put the entire life cycle of the furnishings on the scales and consider their environmental impact over the years.
Here then is that the word “recycling” appears several times during this Digital Design Week.

The architect and designer Paola Navone brings her vision of recycled objects as a series of handmade products obtained from processing waste.
A vision that wants to break the mold by bringing color and joy into the projects, managing to enhance what is the local craftsmanship.

Giuseppe Pedrali, CEO of the homonymous company from Bergamo, also focuses on the regulatory aspect of sustainability.
“Being sustainable” has now become the common motto of various manufacturing companies, but how many of them actually focus on the certifications that can officially certify this characteristic? Are the production processes actually controlled and designed in order to reduce waste and affect the environment as little as possible?

Ico Migliore, architect of Migliore + Servetto, underlines how the issue of sustainability is not only linked to materials but to user behavior.

Of all the thoughts analyzed, the one that we at Modulor certainly fully embrace is the one proposed by the architect and designer Piero Lissoni during the conversation “Everything is a project” available on AD Italy.
Sustainability consists in designing furniture that can last over time

What does it mean to design nowadays? How to emerge within an increasingly large market?

We share once again the words of Piero Lissoni as the fulcrum and summary of this Digital Design Week.
The world of design now looks worldwide, what allows it to be valued is high quality and knowing how to maintain and preserve the “craftsmanship”.

While knowing the relationship to the increasingly frequent technology and the world of the intangible, it is essential to recognize the wealth offered by craftsmanship. The new model of craftsmanship, although it has lost some qualities transmitted over the years, meets new possibilities.

Knowing how to relate the ability to use hands, touch materials and interpret them with incredible technologies is the design of the future.
A less drawn and more product design. Although the very term “design” or industrial design, it would seem to live in the opposite of the concept of craftsmanship, the conjunction of these worlds is the real innovative key for the future of interior design.

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Round D.154.5, the historic armchair designed by Gio Ponti and reinterpreted in a contemporary way by Molteni & Co

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Soriana, Afra and Tobia Scarpa forCassina
On the right: Pacific,the new collection signed Patricia Urquiola for Moroso

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The Connery seating system designed by Rodolfo Dordoni for Minotti

Optimizing spaces with functional furniture: a studio apartment in Milan

Optimizing spaces with functional furniture: a studio apartment in Milan

Optimizing space with functional furniture is the design intent of this studio apartment in Milan. The material selection expresses simplicity and naturalness, bringing a contemporary feel to the custom-designed interiors of this cozy home.

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A cozy looking studio apartment in Milan

We have already addressed the issue of living in small spaces with this minimal style apartment in the heart of Milan. After a few years, the need to optimize spaces has not lost interest but has instead increased the demand for functional furniture. The example of this studio apartment in the suburbs of Milan best expresses the concept of practicality combined with a natural aesthetic line.

Starting from the original structure of the apartment, the renovation project began primarily with the spatial organization of the rooms. The entrance, working as a filter, acts as a pivot for the management of internal flows. From the front opens the view of the kitchen, essential but well equipped, which visually communicates with the loft living area where a large bed is located.

On the left of the entrance is the anteroom, equipped as a closet with service wardrobes. From here, direct access to the bathroom with a large glass shower and sink area with service cabinet.

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Optimizing space with custom-made furniture

To make the most of the available space, the furniture of this studio apartment has been custom designed by obtaining service rooms from structural voids and architectural constraints. The best example is certainly the creation of the under-stairs compartment with doors and push-pull trays useful for arranging objects of various sizes. In fact, starting from the modularity of the risers and treads of the access ladder to the mezzanine, doors are created with a vertical reading whose opening takes place via push pull. Depending on the need, each internal compartment takes up the space of two or more steps, equipping itself with additional extractable volumes where necessary. From this perspective, the dining table can also be in a resting position, attached to the equipped wall of the TV area and used as a desk, or moved to the center of the room to accommodate other diners.

Even the equipped wall, to gain additional service space, is made up of three distinct modules, the sides of which are slightly inclined. The shaping of the different elements allows an optimal management of the architectural corners, also creating a greater sense of welcome.

The architectural void then becomes the new design theme, equipping cavities and niches with shelves and open compartments. This is the case, for example, of the main pillar, incorporated in the dividing structure between the kitchen and the living area. The lower part houses internal shelves accessible through a door with push opening, while the upper part consists of exposed shelves in the niche.

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Functional but also conceptual steps

Another focal point is the anteroom, which from an environment required by law also becomes a useful space for the storage of cleaning products and service cabinets. Drawers and doors with height-adjustable internal shelves are used for the products storage of different sizes.

Even in the bathroom, the design of the furnishings in order to make them functional gives life to a large and bright environment. The change of flooring marks the transition not only physical but also conceptual and visual to a more intimate and reserved environment. The front view on the window offers ample natural lighting, diffused throughout the room thanks to the choice of materials. The glass closure of the shower minimizes the aluminum details, while the large mirror attached to the service cabinet expands the perception of space.

Optimizing the space in the bathroom means taking advantage of all the service cavities: an example is the open oak cabinet under the window. The service shelves for toilet paper and small personal hygiene products in wooden finish in fact obtain their space on the side of the radiator, without however being oppressive. Small accessories such as the pull-out towel holder enrich the functionality of an aesthetically simple and clean bathroom cabinet. Simple and authentic forms are thus valued.

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Natural colors and materials for a contemporary studio apartment

The practicality of the furnishings is not only found in their composition and spatial arrangement, but also in the choice of materials that characterize them. For horizontal surfaces, the choice fell on oak, a natural wood par excellence with great resistance and workability characteristics. Its aesthetic line with warm veins makes it welcoming and transmits spontaneity and tradition. From the parquet floor to the kitchen top and shelves of the open compartments, its presence becomes the touch of authenticity of the stylistic line adopted. For the vertical surfaces, on the other hand, the canvas bilaminate was chosen, whose warm but neutral tones make it delicate but incisive at the same time. Among the major advantages of this material, it certainly has high resistance combined with a very affordable price. Its finish also makes it soft to the aesthetic impact and textured to the touch, expressing attention to detail.

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The renovation of this studio in Milan involved all levels of reading of the project. From the planimetric distribution of the rooms to the choice of materials and finishes. The choice of functional furniture allows you to optimize spaces by providing environments that are not only aesthetically pleasing but also practical and easily livable.

Architectural voids and structural elements hide great potential, just look at them with creative eyes!

To see other examples of small rooms optimized in spaces with functional furnishings, you can take a peek at this minimal style studio apartment or at this shabby chic style creation